“Setting the Table” again for the rest of the class

Today was fun! Thank you for your patience for those parents watching for the second time. I goofed on a couple of things:

1. Minor detail on the practice instructions: The third line of the poem goes “‘Till your good gets better.” The “r” was missing from “your.”

2. I failed to teach Solfa to the children! Yikes! That’s a little major. (Hopefully they got the idea from the sharing time.)  Here’s a video to help out:

Another link (embedding was disabled on this video). https://www.youtube.com/watch?v=NcGFiTnA0HA

 

Parent Meeting Summary

Many thanks to all of the parents who attended our parent meeting this week! It was great to visit with you! I am so excited about our semester ahead and the work we get to do with our capable children.

Please remember to check this blog each week for updates on the lesson from that day. The more connected you are, the more you will find resources that can help you in practicing with your child.

For example, you can find all of the papers that are in your binder online here. If you or your child loses one, you can print it out again. Phew.

I talked a lot about giving feedback. I wanted to remind us all that it’s great when we try to give feedback at a 6:1 ratio–6 positives to one negative. I may not need that many positives, but I sure will feel overwhelmed if all I get is negative feedback :). So thank you in advance for texting, emailing, or posting positive comments about how things are going.

PLEASE let me know if there is something you don’t understand or a link that is missing, etc. If something doesn’t make sense, tell me! I’ll happily fix it.

I have added content to the website today. Check out these pages to see what is here for you:

Please check your child’s violin and bow hold, and make sure they begin practicing in tune.

Also, remember that your child earns one smile simply for completing all the steps in the lesson each day. Be sure that at the end of the week (i.e. the last practice session before class) you add up the smiles, write how many they earned, and initial it so I know you are aware.

I also need one parent volunteer per week to attend. I will send a sign up sheet around today in class. Parents will help record smiles earned and which skills a child passes off each class. They will also help reward awards at the end of class when a child has earned them.

I have treats (candy) that are nut-free and most that are dairy-free. They are not sugar free.  A child who earns 6 practicing smiles is awarded one treat each week. If you have concerns with that, let me know. (These are small treats: single Lifesavers, Tootsie Rolls, etc.)

 

 

 

 

Rewards

In Delicious Music, we work for smiles. ☺

You earn 1 smile for each day you complete all of your practice instructions.

You earn 1 smile for coming to class.

You earn 1 smile for getting on the sharing box and performing.

You earn 1 smile for participating with a positive attitude in class.

You earn extra smiles for doing something from the Extra Smile list.

While the teacher will plan for some individual and group rewards, parents are responsible to plan for and dutifully carry out those planned rewards. Be aware that what your child dreams up will more than likely be achieved, so only promise what you are willing to do or give.

Here’s an example: When I was about 9 years old, my best friend’s family moved to Switzerland. (I lived in California.) I desperately wanted to go visit her. My dad promised me that if I earned half the money for airfare, he would pay for me to go. Over a 2-year period, I earned the money. He did not expect I would. But he kept his promise, and I, my mom, and my sister went to Switzerland on a wonderful, life-changing trip.

First day of Beginning Orchestra (Lesson 2.1.1)

Yesterday we had a “preview” class for Beginning Orchestra for those eager students who were dying to get started. And we had fun!

I set up the table with a snack and colorful plates, napkins, cups, chips, salsa, apples, oranges, and water. The children were thrilled to have an after school snack before starting!

I reviewed names and visited while they snacked for a minute, and then we started. I started out by teaching them the Delicious Music theme song, including the new phrase (second to last phrase in the song) that says, “We will work to train our fingers how to play our inner music.”

I explained that when we have a song in our head, we want to be able to write it down so we can play it again and share it with someone else. That is what we will do this semester: begin learning not only how to play our instruments better, but also how to hear, read, write, and move to the notes we hear–whether they are in our head or coming from outside our ears.

We began by learning how to sing and sign a Solfa scale. Solfa is a music language in which we use hand signs for notes, kind of like ASL (American Sign Language), but for music. We learned the signs for low do, do, re, mi, fa, sol, la, ti, and high do. We practiced singing and signing an ascending Solfa scale and a descending Solfa scale.

Then I showed them how you can write down a tune using the abbreviations (first letter) of each Solfa note. For example, if you were to sing the first line of “Mary Had a Little Lamb,” it would look like this: m r d r m m m.  

Then we learned to sing two more songs in Solfa: “Making Music Makes Me Smile” and “Let’s Go Build a Snowman.”  We sung them in using our soldège signs and then just with the lyrics.

Finally, we talked about our practicing homework. I shared the analogy of preparing a meal, and all the steps that are required (hence the snack first to help them imagine it!). I showed them the practice reporting page, on which they must cross off one image each day they follow the instructions for that part of practicing. They earn one smile for each day they complete their practicing.

It was a great day!

Our parent meeting will be Tuesday night at 7 pm at my home. (See your email for directions.) Then Thursday will be our first OFFICIAL day! Those who came yesterday will go to work on their instruments after our beginning sharing time.

If you have any questions about the practicing instructions, please email me! You should begin practicing with your child (if they attended class) immediately.

P.S. The lessons are numbered to indicate the semester (2nd), month (1st), and week (1st)= 2.1.1. Our themes change monthly, and the lessons will support the themes. The theme for this first month is “Making music takes preparation, hard work, and fun!”

 

To the parents of Beginning Orchestra students

Welcome, Parents, to our Delicious Music website!

I hope you’ll find what you’re looking for to help you help your child not only learn their instrument but also some great life skills as well!

Before the semester begins, YOU have some homework!

1. Plan to attend the first day of class with your child. If possible, please arrange for someone to care for any younger siblings so that you can be there focusing on your Beginning Orchestra student. We will meet, as parents,

2. Read over the first lesson practice plan, the home practice reportpracticing tips, and praising page. These will help prepare you for practicing 6 days a week for 10 minutes, focusing on your child and having a fun time learning together.

3. Learn, along with your orchestra student, the Delicious Music theme song, so you’ll be ready to sing with us on our first day of class!

We’re excited for a fabulous semester of music-making. See you soon!

Liz Livingston

P.S. Please contact me with any questions or concerns: Liz@freedeliciousmusic.org

Lesson Plans Update

Here’s what’s been happening with Delicious Music:

I have been teaching lessons at school but haven’t had time to get my lesson plans online due to my family needs and the holidays. I hope to post those lessons when I can! It might be next year when I cycle back through to teach them again, but hopefully it will be before then! I have learned that when fitting this project into my life, I have to just keep on moving forward and add more the next time I repeat the cycle.

I have an opportunity to teach my own children in our beginning orchestra class at school, and so I am now going to focus on those lesson plans and support materials. You’ll find them under the Lesson Plans tab. My goal is to post information for the parents in my blog and hope that the parents will make comments on the pages to provide feedback on how things are going for them as they help their child learn as the program rolls out.

I’ve written a couple of extremely simple songs (nothing fancy here) that I can use both in the kindergarten classes and in orchestra, the idea being that when the children join beginning orchestra, they will already have the songs in their head. That way they focus their energies more on learning how to play a song more than on learning the song itself.

I’m really excited to be building this string instruction on the knowledge that a number of my students gained when I taught them music in kindergarten! Teaching music is really fun, even for an inexperienced neophyte like me.

Online Public Domain Music Library

IMSLP logo

Today I learned about an online music library (wiki) of sheet music and recordings of music that are available in the public domain (meaning that their copyright has expired). It is called the Petrucci Music Library (imslp.org).

What a resource!

I didn’t get to explore it much, but what a gift for musicians to be able to search for a song and print it out instead of having to go buy a copy.

Ironically, just Sunday I was searching for a piece of music and came to this website, but wasn’t familiar with this resource, so I skipped over it.

I’m grateful my daughter’s flute teacher pointed it out to me!

Elementary School Beginning Orchestra Visit and Volunteers


(This is what we learned in beginning orchestra today.)

Today I visited our school’s beginning orchestra for the first time. There were 12 children: 10 violinists, 1 cellist, and 1 violist, all having had one lesson a week for the last two months. And in front stood our incredible orchestra teacher: a mother of 5 who is teaching these children as a volunteer, for the love of children and music. Can you imagine?!

I visited to lend a hand, to instruct and correct. You know what I realized? Just tuning 12 instruments alone by yourself can take a third of the class time! What an advantage it would be having two instructors there: one to teach, one to go around correcting and modeling correct posture, bow hold, etc.

We need some more violin-playing volunteers!

The best part of being there was seeing that the children were happy! There was a good feeling in the room. The children patiently waited as the others had their bow holds corrected. They worked hard. It’s not the same pace as private lessons, but what delight they had in being able to play their first song and begin learning “Twinkle, Twinkle!” I was so happy to see what they had accomplished!

Where there is not funding for music in the regular day-time instruction, the only way we can have instrumental instruction is to have extracurricular instruction. And the only way to keep it affordable is with the help of volunteers. What a gift volunteerism is!

I decided it would be helpful to create a page about violin bow holds and tuning as a parent resource. Go here to visit the new violin resource page!

What evidence is there that some kinds of music are harmful?

mmw-mice-music-032212 (Image from this article.)

My eyes and ears are constantly on the lookout for information about the influence of music on people. When I was in a Suzuki violin teacher training several years ago, I was given a reprint of an article published in Scholastic Magazine, an educational magazine for children distributed in schools across America. Unfortunately, the article did not have a citation. I’m big on accurate research and look for citations.

So today, after reading an article about mice and music in another magazine, I searched on the internet for the study about which I had formerly read. I found a description of the study in several places, but this post had the most information about the experiment.

Beginning in 1996, David Merrill, a high school student in Virginia, performed two lengthy experiments. He took 3 groups of mice: one that listened to classical music, a second that listened to hard rock (Anthrax), and a third that was not exposed to any music. The group that listened to classical music fared the best in the maze timings, the silence group scored second best, and the hard rock group killed each other. He had to end the experiment the first year because he ended up with only one mouse alive in the hard rock group.

The second year he performed the experiment, he put the mice in their own aquariums to keep them separate, so they couldn’t kill one another. The first group listened only to Mozart, the second group to Anthrax, and the third group to no music. Again, the Mozart and no music group improved their times, while the hard rock music group took 20 times as long to complete the maze.

(Here is another brief description of Merrill’s experiment, along with some other videos related to music/animal experiments. Fascinating.)

Today I read another article that cited a study made on mice and music. The article states,

“Two researchers explored this relationship by studying the effects of music and rhythm on the nervous system of mice. For eight weeks, one group of mice constantly listened to Strauss waltzes (highly organized and orderly music), while a second heard disharmonious sounds in the form of continuous drumbeats. A third group was raised in silence.

“After eight weeks, the mice were placed in a maze to find food. The mice in the second group wandered off with no sense of direction–’a clear indication they were having trouble learning’–and took much longer to find the food than they had at the beginning of the study. The mice exposed ‘to discordant sounds not only developed difficulties in learning and memory, …but they also incurred structural changes in their brain cells.’ The researchers diagnosis is very interesting: ‘We believe that the mice were trying to compensate for this constant bombardment of disharmonic noise….They were struggling against the chaos.'”

While I couldn’t find the original study online, I did find another summary here.

Beat, rhythm, volume, and harmonies all affect our brains, which in turn affects our bodies. Some kinds of music that is disharmonious and has a heavy beat or certain kinds of repeating rhythms apparently affect our brains and bodies negatively.

It helps to know that what we put into our brains and bodies affects us, and to better understand how it affects us, so that we can choose the music that helps us, and the children around us, to be healthier, happier, and kinder.